Monday, 28 November 2011

Studio Visit

This week we went on a visit to The Image Depot a live photography studio in Belper.  The studio is owned and ran by Adrian Heapy who has been in the photography business for over forty years.





When we first arrived at the studio Adrian gave us a guided tour showing us the main studio used for building room settings, the wet room and the paint shop used for the painting of materials for room settings.  There is a store of equipment used for room setting from walls beading and fireplaces.  Also on the ground floor is a kitchen which is useful for the long hours that are quite often worked in the photography business.




Also on the ground floor is a smaller studio used for smaller products like jewellery and pack shots which leads into a changing room for models.  Adrian explained that the changing room was the dark room which he plans to convert back with the recent interest in black and white photography.  

The stairs are steep and Adrain ensured that we held the hand rail for health and safety considerations. Upstairs is a  very comfortable office which is also needed for the sometimes long hours spent in the studio.  Opposite the office space is a large prop room that is full of various props, cushions, lamps, fabric and props used for outside photography.





At the end of the tour Adrain explained the fire drill, advising us that there is fire exits in all four corners of the building, showed us the fire alarm and explained where the meeting point is in the event of a fire. 

During the visit Adrian explained what is actually involved in running the studio.  At one time the studio employed seven people and now it is just Adrian and Kieran,  and all other help is provided by outside companies.  This works better for him as employment law over the last decade and the law for providing employees with a contract of employment can prove difficult for small businesses.  There is not many live studios left compared to recent years.  The digital era means that many companies are using agencies and more people can work from home cutting overheads thus leading to undercutting competition.  The Image Depot has retained its capability of doing large room set work that the competition working from home cannot achieve.

Once Adrain has a brief for a client he has an initial meeting to find out what the client wants he devises a plan and puts together a quote.  The right questions have to be asked during the meeting and all angles covered, everything has to be noted on the brief including if the shots are to be landscape or portrait.  Planning is a really important process and you have to ensure that once the work is finished there are no misunderstandings or errors as if there is this can result in a reduction in the final invoice and thus a reduction in profit.

He often has to improvise on ideas to cut costs and explains that lighting is the key to obtaining great shots.  The idea behind the business plan is to turn the work around fast for the right price.  Whilst working on the plan he constantly researches magazines, books and the internet for ideas and to keep up with the latest trends.  The Image Depot keep all there research work as styles and trends always come around and back in fashion. When dealing with a company he likes to deal with the people who can make the decisions as when companies send the marketing assistant the whole project is more difficult.

Adrain talked about the legal implications and permission of copyright.  He said that it is hard to retain the copyright on images when you are photographing other peoples products and offers a free use for ten years.  He talks about ethical considerations and explained that it is not right to make profit from other peoples grief.  Also the considerations of photographing women and explained that he will not photograph anyone under the age of eighteen without a parent present and he will not photograph any women without someone else also being in the studio.  When photographing children for safety he only works on a 1-3 ratio.

Finally we had a quick demonstration by Kieran who was working on a prototype pack shot for a client.  He explained how he always uses gloves to handle any products he is photographing as this eliminates fingerprints from the image.  He explained that the sample would have no charge to the client and was used to show the client what kind of work they could expect.  He then showed us how files are stored and some visuals which had been used from a stock library.






Saturday, 19 November 2011

Advertising Photographer Stan Musilek: Photo Shoot Tips



Advertising photographer Stan Musilek talks about inspiration and conceptual photography.  He always introduces the camera to a shoot last as he plans everything beforehand.  He works on the basis that he only takes a limited amount of images as his work is very thought out and planned before the camera is introduced.
He believes that every photographer should use a tripod at all times as this allows you more freedom and feels very distracted if he is holding the camera.  Using a tripod allows you the freedom to stand back and observe the frame thus producing better images.

Commercial Photographer Joey Lawrence - Photography Techniques




This You Tube clip by Joey Lawrence talks about how building a good relationship with your subject will help  you produce really great emotional images.  He also talks about resources and how the internet is a really good resource to help you further your photography ideas and skills.

Photography Tips from Commercial Photographer Vincent Laforet




This you tube interview with photographer Vincent Laforet gives some interesting tips on how to think whilst doing a shoot.  He advises to put the camera down and walk around whilst collecting ideas about what particular images you want to achieve.  He talks about selecting your equipment for a particular shoot as taking too much equipment will slow you down and not enough may cause you to miss a brilliant opportunity. He talks about when looking through the lens you need to make an image that will elicit emotions and thoughts as good images which cause emotion for a product will sell it.

Photography is about research he says, pre-plan everything as this is what separates amateurs from professionals.  Create a repertoire with the client which will allow the shoot to be relaxed and then set up the equipment, do not call the client until all the equipment is set up.  Go through each setting individually, ask yourself  "what's the shutter speed and why?  Do you need to freeze motion or do you need motion blur.  Ask yourself "what's the aperture and why?  Do you need shallow depth of field or wide depth of field. Ask yourself "what ISO? He says ask yourself what you want to include in the frame and what you want to exclude and this will give you an idea of what lens to use.

Vincent Laforet was born in 1975 and started his career as a photographer at the age of 15.  When he was 25 he worked for the New York Times and had a Pulitzer for feature photography.